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According to Helen Vendler, the value of any poetry anthology is measured by its representation of major poets. However, Brad Leithauser argues that an anthology has the greatest impact through its handling of minor poets. Were the editors of an anthology of twentieth-century American poetry to exclude T. S. Eliot, Eliot's reputation would be unaffected, though the anthology itself would be handicapped by excluding one of the most influential English-language poets of the Period. The situation is quite different with figures who are considered secondary, like Sara Teasdale or Allen Tate: because publishers rarely keep in print volumes by poets who sell in modest numbers, most such poets have no noteworthy existence outside of anthologies. Furthermore, anthology editors' selections of particular poems may significantly benefit or harm the reputations of minor poets. If notable works by major poets are omitted, serious readers will easily find those poets' collected works elsewhere, but editors' choices of minor poets' works may make the critical difference in whether or not readers choose to seek out more of such poets' work.

It can be inferred from the passage that Vendler would be most likely to agree with which of the following statements about the poet Sara Teasdale?

A.She deserves wider recognition through the publication of volumes devoted exclusively to her work.
B.Her poems are more likely to be of interest to those who prefer to read a volume devoted to a single poet's work than to those who prefer to read a poetry anthology. .
C.Her poems have been given undue prominence by the editors of some anthologies of twentieth century American poetry.
D.The appeal of her poems to serious readers is unlikely to be affected by whether or not her work is well represented in anthologies.
E.Her exclusion from an anthology of twentieth-century American poetry would not be an important criterion for measuring that anthology's value.

E显示答案

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