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While the golden age of English caricature (circa 1760–1820) is well documented, contemporaneous French caricature has been largely ignored, perhaps partly due to the artists' anonymity. Prominent London caricaturists were recognized as artists and political commentators by their contemporaries. French caricatures, however, were often unsigned and few archival resources provide information about those caricaturists whose names are known. Records of the publishers of French caricature have survived more often than those of the artists. Unlike in London, where publishers competed to work with celebrated caricaturists, publishers in Paris played a more prominent role in caricature production than artists and artisans. The names of publishers rather than artists often appear on the prints, perhaps in part because prints were often the work of several artisans.

For the following question, consider each of the choices separately and select all that apply.

The passage suggests which of the following as a reason why French caricature has been relatively neglected compared to English caricature?

AFrench caricatures were often left unsigned.
BFrench caricaturists had less prestige than did English caricaturists.
CEnglish caricatures have been better preserved than have French caricatures.

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