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题目材料：
In their zeal to narrate a single, teleological jazz tradition, early scholars studying Black music, and most subsequent historians, understood the progress of jazz along a certain contour: birth, development, and ideal form (usually the 1940s jazz style bebop). Most scholars in the twenty-first century still contend that jazz is a music that is rooted in specific discernible qualities (e.g., improvisation, swing, group play) and instrumentation (e.g., horns, piano, string bass, and drums). In this telling, the style known as ragtime is a precursor to later, more developed jazz styles. While many do see ragtime, like the blues, as a necessary ingredient of jazz, writers rarely examine it on its own merits, much less take account of its own historical circumstances.
以上解析由 考满分老师提供。
